Billy explains: “When you bring up the high-end information in the sides and keep the mid and low end focused in the centre, the high-end detail pulls the listeners’ attention subtly to the sides of the stereo field, giving the impression that the sound is wider. By keeping the mids and low end centred, you make sure that the mix stays punchy and mono-compatible. This works particularly well with stereo reverbs, delays, backing vocals and anything that is panned wide.”
Purchase the Waves Audio / Abbey Road RS56 Plugin.
