Cilla turned up for the evening session in February with her producer
George Martin. She sang into a
Neumann U67 and engineers
Geoff Emerick and
Phil McDonald used a
Fairchild compressor on her voice.
Burt made her record a number of versions, and they ended up with about 29 takes as Burt was always seeking perfection. “It was ever so difficult, the range in it was unbelievably hard. It was hurting me,” Cilla has said.
Cilla was supported by a choir of three singers, a British vocal trio called
The Breakaways who formed in 1962 and became the main session vocalists throughout the ‘60s. The Breakaways stood in a vocal booth beside Cilla, who could see Burt on the piano to her right, ahead of them were the 12 violins and the group of horns and strings. Martin, who would have been watching from Studio One’s control room, is said to have become frustrated by Bacharach’s repeated requests to make multiple takes, saying Cilla had got it right on the fourth take. Burt was paid $250 for the arranging and conducting fee.